![]() ![]() Each Spider-Man – the classic Amazing Spider-Man, Spider-Man Noir, Spider-Man 2099, and Ultimate Spider-Man – offers their own twist, with fun signature powers such as stealth and bullet-time abilities, and there are some cool levels and boss battles featuring awesome redesigned villains that allow you to put them to good use. Featuring Mysterio as the big bad, the story sees a magical tablet shattered and spread across the multiverse, which prompts us to take control of four different Spider-Mans (yes, that’s the grammatically correct way to say it) to go find them. ![]() For every spectacular thing it has to offer, there’s something just as un-spectacular to web it up. Spider-Man: Shattered Dimensions is easily the most polarizing entry on this list. ![]() Combat feels authentic to Spider-Man: you can launch into an airborne enemy, fire off webs, change direction midair, and swing away to keep your combo going – something we could only dream of doing in previous Spidey games. The outdoor levels have us swinging around shooting webs aimlessly into the sky, but they offer a sense of freedom, as Spider-Man zips around battling drones in the air and goons on rooftops. The game is criminally short, too – around six hours for the main story – but that’s offset by the fact that once you finish it you can replay as the Green Goblin, complete with Goblin Glider and pumpkin bombs, and there’s even a new story following Harry Osborn. The story has Tobey Maguire and Willem Dafoe voicing their characters from the movie, although Maguire’s performance isn’t exactly amazing. ![]() Underbelly Files: Chopper is on Sunday and Monday nights at 8.Spider-Man: The Movie was released in 2002 and did just enough right to make it a fun superhero action brawler. One can hardly be surprised by the suggestion that, indeed, Chopper would have liked it. Underbelly Files: Chopper is a wet dream for two-bit criminals longing to be feared and celebrated. If the real Chopper disliked Dominik’s film, it might have had something to do with it being a complex and cynical work, in part about Australia’s habit of celebrating the wrong kinds of people – a habit Nine’s miniseries embraces. I have this heart to hold).Īt one point we see Chopper at home, miffed that he wasn’t invited to the premiere of the movie that bears his name. Chopper – sorry, Mark – and his lover get down to business, while another schmaltzy song perforates our eardrums (“I have this heart that won’t stop yearning. There is also a sex scene in the first episode that, in its sleaziness, cheesiness and awkward, can’t-watch-but-can’t-look-away staging, wouldn’t look out of place in a film directed by Tommy Wiseau. That last line could apply to the production itself, in need of some a-logic. “Can we insert a little a-logic into this argument?”.“What does it a-matter, where it happened?”.Strangely, Jeffery attempts to channel Chopper’s spirit by inserting “a” into odd spots in sentences. This was a tough gig for Aaron Jeffery, facing inevitable comparisons to Bana – whose shapeshifting performance in the 2000 feature film was nothing short of astonishing. Andrikidis plays a cheesy song on the soundtrack, without irony, including the lyrics: “I’d take a pencil and some paper too, and think of the perfect words to write to you.” He kisses the baby on its forehead, before the three take a stroll down an idyllic, sun-kissed suburban street. If that sounds a more wishy-washy, wait for the scene with Chopper – sorry, Mark – a proud dad at home with wife Mary Ann (Zoë Ventoura) and baby. “It’s just fuckin’ Chopper keeps getting you in trouble.” She stands up, kisses her hand, puts it on her lover’s cheek, then leaves – with poor Mark a teary, sobbing mess. “You’re a good man Mark, I’ve always thought that,” his girlfriend Margaret (Ella Scott Lynch) tells him during a prison visit. We are told he was a decent bloke if only you got to know him. Ella Scott Lynch as Margaret Cassar and Aaron Jeffery as Mark ‘Chopper’ Read. ![]()
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